Retro-future SCI-FI combines nostalgic, vintage looks (like mid-century modern design, art deco, or 1970s analog tech) with futuristic technology or alternate histories. It embraces what past eras imagined the future would look like.
Forbidden Planet (1956)
Forbidden Planet is an American SCI-FI film from Metro-Goldwyn-Mayer — starring Walter Pidgeon, Anne Francis, and Leslie Nielsen.
Storyline
In the 23rd century, after more than a year’s journey, the United Planets starship C-57D arrives at the distant planet Altair IV to determine the fate of the ship Bellerophon, sent there 20 years before. Dr. Edward Morbius, one of the original expedition’s scientists, warns the ship not to land for safety reasons, but Commander John J. Adams ignores his warning.
Adams and Lieutenants Jerry Farman and “Doc” Ostrow are met by Robby the Robot, who transports them to Morbius’ residence. Morbius describes how all other members of their expedition had been killed, one by one, by an unseen “planetary force”, with the Bellerophon being vaporized as the last survivors tried to escape. Only Morbius, his wife (who, Morbius claims, later died of natural causes), and their daughter Altaira were somehow immune. Morbius offers to help the starship return home, but Adams says he must receive further instructions from Earth.
The next day, Adams finds Farman kissing Altaira. Furious, he rebukes Farman and criticizes Altaira for wearing revealing clothing. That night, an invisible intruder sabotages communications equipment aboard the starship. The next morning, Adams and Ostrow go to Morbius’ residence to discuss the intrusion. While waiting, Adams happens upon Altaira swimming. After she dons a new, less revealing dress, Adams apologizes for his behavior toward her, and they kiss. They are suddenly attacked by Altaira’s pet tiger, and Adams is forced to disintegrate it with his blaster.
Morbius appears and tells Adams and Ostrow that he has been studying artifacts of the Krell, a highly advanced race that mysteriously perished in a single night 200,000 years before. One such device enhances the intellect, which Morbius had used. He barely survived, but his intellectual capacity had doubled. Another is a vast 8,000-cubic-mile (33,000 km3) underground machine, still functioning, powered by 9,208 thermonuclear reactors. Adams tells Morbius he must share these discoveries with Earth, but Morbius refuses, saying, “Humanity is not yet ready to receive such limitless power.”
Farman erects a force field fence around the starship, but the unseen intruder easily passes through and brutally murders Chief Engineer Quinn, who was repairing the damaged communications equipment. Morbius warns Adams of his premonition of further deadly attacks. That night, the intruder is detected approaching. Its outline and features become visible when it enters the force field and blasters are fired at it, to little effect. The thing kills Farman and two other crewmen. When Morbius is awakened by Altaira’s screams, the creature suddenly vanishes.
Adams tries to persuade Altaira to leave. Ostrow sneaks away and uses the Krell intellect enhancer, but is fatally injured. Before dying, he informs Adams that the underground machine’s purpose was to create anything by mere thought, anywhere on the planet. However, he tells Adams the Krell forgot one thing: “Monsters from the id.” The machine gave the Krell’s own subconscious desires free rein with unlimited power, causing their own extinction. Adams deduces that Morbius’s subconscious created the thing that both killed the original expedition members and attacked his crewmen; Morbius refuses to believe him.
Altaira tells Morbius that she is leaving Altair IV with Adams. Robby detects the creature approaching; Morbius commands Robby to kill it, but the robot knows it is Morbius and shuts down, being programmed to never kill a human. Adams, Altaira, and Morbius hide in the Krell laboratory, but the creature melts its way through the thick doors. Morbius finally accepts the truth and confronts and disowns his other self, but is fatally injured by the creature as it vanishes. Before he dies, he has Adams activate a planetary self-destruct system, warning them to be far away in deep space. At a safe distance, Adams, Altaira, Robby, and the surviving crew witness the obliteration of Altair IV. Adams reassures Altaira that in about a million years, the human race will stand where the Krell did. They embrace as C-57D heads back to Earth.
The Fifth Element (1997)
The Fifth Element is an English-language French SCI-FI action film conceived and directed by Luc Besson — starring Bruce Willis, Milla Jovovich, Gary Oldman, Ian Holm, and Chris Tucker.
Storyline
In 1914, aliens known as Mondoshawans meet their contact on Earth, a priest of a secret order, at an ancient Egyptian temple. They take the only weapon capable of defeating a great evil that appears every 5,000 years, promising to protect it and return it before the great evil’s re-emergence. The weapon consists of the four classical elements, as four engraved stones, plus a sarcophagus containing a “fifth element”.
In the 23rd century, the great evil appears in deep space as a giant living fireball.[a] It destroys an armed Earth spaceship as it heads to Earth. The Mondoshawans’ human contact on Earth, priest Vito Cornelius, informs the president of the Federated Territories of the great evil’s history and the weapon that can stop it.
On their way to Earth, a Mondoshawan spacecraft carrying the weapon is ambushed and destroyed by a crew of Mangalores, alien mercenaries hired by Earth industrialist Jean-Baptiste Emanuel Zorg, who is working for the great evil. A severed hand in metal armour from the wreckage of the spacecraft is brought to New York City. From this, the government uses biotechnology to recreate the original occupant of the sarcophagus, a humanoid woman named Leeloo, who remembers her previous life. Alarmed by the unfamiliar surroundings and high security, she escapes and jumps off a ledge, crashing into the flying taxicab of Korben Dallas, a former major in Earth’s special forces.
Dallas delivers Leeloo to Cornelius and his apprentice, David, who recognises her as the fifth element. As Leeloo recuperates, she tells Cornelius that the stones were not on board the Mondoshawan ship. Simultaneously, the Mondoshawans inform Earth’s government that the stones were entrusted to an alien opera singer, the diva Plavalaguna. Zorg reneges on his deal with the Mangalores for failing to obtain the stones, and kills some of them. Earth’s military sends Dallas to meet Plavalaguna; a rigged radio contest provides a cover, awarding Dallas a luxury vacation aboard a flying hotel on planet Fhloston, accompanied by flamboyant talk-show host Ruby Rhod. It includes a concert by Plavalaguna, and learning that Leeloo shares his mission, Dallas lets her accompany him. Cornelius instructs David to prepare the temple, then stows away on the luxury spaceship. The Mangalore crew, pursuing the stones for themselves, also illegally board the ship.
During the concert, the Mangalores attack, and Plavalaguna is killed. Dallas extracts the stones from her body and kills the Mangalore leader, causing the others to surrender. Zorg arrives, shoots Leeloo, and activates a time bomb. He flees with a carrying case which he presumes contains the stones, but returns when he discovers that it is empty. As Zorg’s bomb causes the hotel’s evacuation, Dallas finds Leeloo traumatised and escapes with her, Cornelius, Rhod, and the stones in Zorg’s private spaceship. Zorg deactivates his bomb, but a dying Mangalore sets off his own, destroying the hotel and killing Zorg. As the great evil approaches Earth, the four meet David at the temple. They deploy the stones, but Leeloo, having learned of humanity’s history of cruelty, has given up on life. Dallas declares his love for her and kisses her. Leeloo combines the power of the stones, emitting divine light onto the great evil and defeating it. Dallas and Leeloo are hailed as heroes, and as dignitaries wait to greet them, the two passionately embrace in a recovery chamber.
Sky Captain and the World of Tomorrow (2004)
Sky Captain and the World of Tomorrow is a SCI-FI action-adventure film written and directed by Kerry Conran in his directorial debut — starring Law, Gwyneth Paltrow, and Angelina Jolie.
Storyline
In a technologically advanced New York City in 1939, the zeppelin Hindenburg III moors itself atop the Empire State Building. Aboard the airship is Dr. Jorge Vargas, a scientist who arranges for a package containing two vials to be delivered to Dr. Walter Jennings. Afterwards, Dr. Vargas vanishes.
Polly Perkins, a reporter for The Chronicle, is looking into the disappearances of Vargas and five other renowned scientists. A cryptic message leads her to Radio City Music Hall, against the warnings of her editor, Mr. Paley, where she meets Dr. Jennings during a showing of The Wizard of Oz. He tells her that a Dr. Totenkopf is coming for him next. Suddenly, mysterious giant robots attack the city. The authorities call for “Sky Captain” Joe Sullivan, the city’s hero, Perkins’ former lover, and the commander of the mercenary air force the Flying Legion. While Joe engages the robots with his modified Curtiss P-40 pursuit fighter, Perkins photographs from the street with little regard for her safety. He disables one robot; the rest leave. News reports show similar attacks around the globe. The disabled robot is taken back to the Legion’s air base so that technology expert Dex can examine it. Polly follows and persuades Joe to reluctantly let her in on the investigation.
She discovers Dr. Totenkopf was a former child prodigy and Germany’s most brilliant scientist who ran a mysterious lab outside of Berlin where he and the missing scientists were working on a project dubbed the “World of Tomorrow”. Her information takes them to the ransacked laboratory of a dying Dr. Jennings, while an assassin escapes. Just before he dies, Jennings gives Polly the two vials and states that they are crucial to Totenkopf’s plans. Polly hides the vials and withholds the information from Joe. They return to the Legion’s base just before it comes under attack from squadrons of ornithopter drones. Dex tracks the origin of the signal controlling the drones and notes it on a map before his capture.
Joe and Polly find Dex’s map and fly to Nepal and then Tibet, where they meet Joe’s old friend Kaji. He helps them locate an abandoned mining outpost in the Himalayas. Two guides working for Totenkopf force Polly to turn over the vials, locking the duo in a room full of dynamite. Joe and Polly escape just before the room explodes, knocking them unconscious and destroying most of Polly’s film. They wake up together in the mythical Shangri-La. The Tibetan-speaking monks there tell of Totenkopf’s enslavement of their people, forcing them to work in the uranium mines. Most were killed by the radiation, but the final survivor provides a clue to where Dr. Totenkopf is hiding.
With insufficient fuel to make it there, they run into a Royal Navy flying aircraft carrier commanded by another of Joe’s former flames, Commander Franky Cook. Franky leads the attack on Totenkopf’s island lair while Joe and Polly enter through an underwater inlet. Joe and Polly find themselves on an island with dinosaur-like creatures, which Polly hesitates to photograph as she has only two shots left. They find a secret subterranean facility in a mountain, where robots are loading animals, as well as the mysterious vials, onto a large “Noah’s Ark” rocket. Joe and Polly are detected but Dex, piloting a flying barge, arrives with three of the missing scientists. They explain that Totenkopf has given up on humanity and seeks to start the world over again: the “World of Tomorrow”. The vials are genetic material from humanity’s greatest individuals which will produce the perfect Adam and Eve. If the rocket reaches space, the afterburners will ignite the atmosphere and kill everything on Earth, before the rocket repopulates the planet in Totenkopf’s image.
As the group attempts to enter Dr. Totenkopf’s lair, one scientist is electrocuted by the defense system. A hologram of Totenkopf appears, speaking of his hate for humanity and his plans to rebuild it as a new master race. Dex disables the lair’s defenses and the group discovers Totenkopf’s mummified corpse inside with a scrap of paper clutched in his hand: “forgive me”. He died 20 years previously, but his machines have continued his plan. Joe decides to sabotage the rocket from the inside while the others escape. Polly tries to tag along but Joe kisses her and then knocks her out. Polly recovers, following Joe and saving him from Dr. Jennings’ assassin, a female android. Joe and Polly then board the rocket. Before the rocket reaches 100 km, when its second stage is scheduled to fire and thereby incinerate the Earth, Polly pushes an emergency button that ejects all the animals in escape pods. Joe tries to disable the rocket only to be interrupted by the same assassin robot. He jolts the robot with its electric weapon and then uses it on the controls, disabling the rocket. Joe and Polly use the last pod to save themselves as the rocket explodes. Joe and Polly watch the animal pods splash down around their escape pod, while Commander Cook leads a group of flying aircraft carriers towards them. Polly then uses the last shot on her camera to take a picture of Joe rather than the animal pods. Joe notes that she had forgotten to take off the lens cap.
Tomorrowland (2015)
Tomorrowland is an American SCI-FI film directed by Brad Bird with a screenplay by Bird and Damon Lindelof (based on Tomorrowland from the Disney Parks) — starring George Clooney, Hugh Laurie, Britt Robertson, Raffey Cassidy, Tim McGraw, Kathryn Hahn, and Keegan-Michael Key.
Storyline
At the 1964 New York World’s Fair, a young inventor Frank Walker attempts to showcase his homemade jet pack, but it fails and does not impress the judges. However, a mysterious girl, Athena, sees potential in him. She gives him a lapel pin marked with a “T” and directs him onto the Disney It’s a Small World ride, where the pin triggers a hidden transport to Tomorrowland—a dazzling futuristic city in another dimension. There, robots repair his jet pack, allowing him to soar through the city and join its secret community of innovators.
“When I was a kid, the future was different.”
— Frank Walker
In the present, Casey Newton is an idealistic teenager. She continually sabotages the demolition of a NASA launch platform in hopes of saving her father’s job. After she is arrested, she discovers a Tomorrowland pin among her belongings. Touching it transports her to the futuristic world, but only as a projection; when the pin’s power is expended, she abruptly returns to her normal reality. Determined to understand what she saw, Casey follows clues to a memorabilia shop in Houston, where the owners attack her for information about the pin. Athena bursts in and defeats the owners, actually Audio-Animatronics, who self-destruct, blowing apart the shop. After Casey and Athena steal a car, Athena reveals she is also an animatronic, purposed to find and recruit people who fit the ideals of Tomorrowland.
Athena brings Casey to Frank Walker (now an adult) who is a bitter recluse living in upstate New York. Banished from Tomorrowland years earlier, Frank wants nothing to do with the place. Casey discovers he has built a device predicting the imminent end of the world, but her refusal to accept that future causes the probability to drop—something Frank has never seen. When robotic assassins arrive to eliminate them, Frank reluctantly joins Casey and Athena. Using a teleportation device, they travel to Paris and launch an old Plus Ultra rocket hidden beneath the Eiffel Tower. Frank explains that Tomorrowland was created by a secret society of visionaries—Gustave Eiffel, Jules Verne, Nikola Tesla, and Thomas Edison—who sought a place free from political and commercial interference.
Arriving in Tomorrowland, the trio finds the once‑utopian city in decline. Governor David Nix greets them and leads them to a tachyon machine Frank invented which can view possible futures. It has been broadcasting visions of global catastrophe to Earth. Casey realizes the machine’s warnings have become a self-fulfilling prophecy: humanity, overwhelmed by doom, simply stopped trying to prevent disaster. Nix admits he intended the images as a wake‑up call, but when the world ignored them, he gave up and decided to let the apocalypse unfold. Casey, Frank, and Athena attempt to destroy the machine, but Nix fights to stop them. During the struggle, Athena foresees Nix killing Frank. She sacrifices herself to save him by triggering her self‑destruct sequence. The explosion destroys the tachyon device, and the falling wreckage kills Nix.
In the aftermath, Casey and Frank take leadership of Tomorrowland. They recruit Casey’s father and brother, and they build a new generation of Athena‑like animatronics. Given Tomorrowland pins, these childlike robots set out across the world to find new dreamers, thinkers, and inventors—people capable of building a better future.
Fallout (2024)
Fallout is an American post-apocalyptic SCI-FI TV series created by Graham Wagner and Geneva Robertson-Dworet for Amazon Prime Video (Based on the role-playing video game) — starring Ella Purnell, Aaron Moten, Kyle MacLachlan, Moisés Arias, Xelia Mendes-Jones, Walton Goggins, and Frances Turner.
Storyline
The series depicts the aftermath of the Great War of 2077, an apocalyptic nuclear exchange between the United States and China. The series takes place in an alternate history of Earth, where advances in nuclear technology after World War II led to the emergence of a retrofuturistic society and a subsequent resource war.
Many survivors took refuge in fallout bunkers, known as Vaults, most being unaware that each Vault was designed to perform sociological and psychological experiments on the vault dwellers on behalf of Vault-Tec and numerous other American corporations.
219 years later in 2296, a young woman, Lucy, leaves her home in Vault 33 to venture into the dangerous wasteland of a devastated Los Angeles on a quest to find her kidnapped father. Along the way, she encounters a Brotherhood of Steel squire named Maximus and a legendary ghoul bounty hunter, who was once a famous actor named Cooper Howard, each having their own pasts and agendas to settle.
Retro-future SCI-FI helps us remember how generations before us once envisioned the Future — based on optimism and possibility (filled with Nostalgia). Too often these days we are bombarded with Dystopian visions of an uncertain, darker path for Humanity … shaped by fear, political apathy, and the slow collapse of the world around us.
We prefer the Brighter view … filled with Possibility.
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