“Lost Future” SCI-FI: imagined visions of Future Life on Earth (with cultural or technological advancements) that have not yet come to pass — often shaped by Speculation about “the way things might have been” if tragic events had not occurred (like untimely Deaths). These visions change over time. American Baseball player Yogi Berra once put it this way:
“The Future’s not what it used to be.”
Things to Come (1936)
Things to Come is a British SCI-FI film written by H. G. Wells (loosely adapted from his book “The Shape of Things to Come”) The film stars Raymond Massey, Edward Chapman, Ralph Richardson, Margaretta Scott, Cedric Hardwicke, Maurice Braddell, Sophie Stewart, Derrick De Marney, and Ann Todd.
Storyline
In 1940, businessman John Cabal, living in the city of Everytown in Southern England, cannot enjoy Christmas Day as the news speaks of possible war. On the eve of World War II, Nazi Germany under Adolf Hitler. His guest, Harding, shares his worries, while another friend, the over-optimistic Pippa Passworthy, believes that it will not come to pass, and if it does, it will accelerate technological progress. An aerial bombing raid on the city that night results in general mobilisation and then global war with the unnamed enemy. Cabal becomes a Royal Air Force pilot and serves bravely, even attempting to rescue an enemy pilot he has shot down.
The war continues into the 1960s, long enough for the people of the world to have forgotten why they are fighting. Humanity enters a new dark age. Every city in the world is in ruins, the economy has been devastated by hyperinflation, and there is little technology left other than greatly depleted air forces. A pestilence known as “wandering sickness” is inflicted by aerial bombing and causes its victims to walk around aimlessly in a zombie-like state before dying. The plague kills half of humanity and extinguishes the last vestiges of government.
By 1970, the warlord Rudolf, known as the “Boss”, has become the chieftain of what is left of Everytown and eradicated the pestilence by shooting the infected. He has started yet another war, this time against the “hill people” of the Floss Valley to obtain coal and shale to render into oil for his ragtag collection of prewar biplanes.
On May Day that year, a sleek new monoplane lands in Everytown, startling the residents, who have not seen a new aircraft in many years. The pilot, a now elderly John Cabal, emerges and proclaims that the last surviving band of engineers and mechanics have formed an organisation called “Wings Over the World”. They are based in Basra, Iraq, and have outlawed war and are rebuilding civilisation throughout the Near East and the Mediterranean. Cabal offers the Boss the opportunity to join Wings, but he immediately rejects the offer and takes Cabal prisoner, forcing him to repair the obsolete biplanes.
With the assistance of Cabal, the Boss’s disillusioned mechanic Gordon contacts Wings Over the World. Gigantic flying wing aircraft arrive over Everytown and saturate its population with a “Gas of Peace” that temporarily renders them unconscious. The people awaken to find themselves under the control of Wings Over the World and the Boss dead from a fatal allergic reaction to the gas. Cabal promises them that Wings Over the World will usher in a new age of progress and peace.
Under Cabal’s guidance, Wings Over the World quickly rebuilds civilisation to even greater heights. By 2036, a stable mankind is now living in modern underground cities, including the new Everytown, and civilisation is at last devoted to peace and scientific progress. All is not well, however. The sculptor Theotocopulos incites the populace to demand a “rest” from all the rush of progress, symbolised by the coming first crewed flight around the Moon. When the mob threatens to destroy the space gun that will launch the ship to the Moon, Oswald Cabal, the grandson of John Cabal and current head of government, is forced to move the launch ahead of schedule.
Oswald Cabal’s daughter Catherine and fellow scientist Maurice Passworthy are the passengers. After the projectile is launched and just a tiny light in the night sky, Cabal debates the desirability of human progress with Passworthy’s anxious father. To Passworthy’s concern that humanity shall never be able to rest, Cabal retorts that humans have no choice but to conquer the universe and its mysteries:
“All the universe or nothingness … Which shall it be?“
2001: A Space Odyssey (1968)
2001: A Space Odyssey is an epic SCI-FI film produced and directed by Stanley Kubrick, who co-wrote the screenplay with Arthur C. Clarke. Its plot was inspired by several short stories optioned from Clarke, primarily “The Sentinel” (1951) and “Encounter in the Dawn” (1953).[3] The film stars Keir Dullea, Gary Lockwood, William Sylvester, and Douglas Rain, and follows a voyage by astronauts, scientists, and the sentient supercomputer HAL 9000 to Jupiter to investigate an Alien monolith.
Storyline
In a prehistoric veld, a tribe of hominins is driven away from a water hole by a rival tribe, and the next day finds an alien monolith. The tribe learns how to use the bones of dead animals as weapons and, after a successful first hunt, uses them to drive away the rival tribe.
Millions of years later, Dr Heywood Floyd, Chairman of the United States National Council of Astronautics, travels to Clavius Base, an American lunar outpost. During a stopover at Space Station Five, he meets Russian scientists who are concerned that Clavius seems to be unresponsive. He refuses to discuss rumours of an epidemic at the base. At Clavius, Floyd addresses a meeting of personnel, stressing the need for secrecy regarding their newest discovery. His mission is to investigate a recently found artefact, a monolith buried four million years earlier near the lunar crater Tycho. As Floyd and others examine and photograph the object, it emits a high-powered radio signal.
Eighteen months later, the American spacecraft Discovery One is bound for Jupiter, with mission pilots and scientists Dr Dave Bowman and Dr Frank Poole on board, along with three other scientists in suspended animation. Most of Discovery’s operations are controlled by HAL, a HAL 9000 computer with a human-like personality. When HAL reports the imminent failure of an antenna control device, Bowman retrieves it in an extravehicular activity (EVA) pod, but finds nothing wrong. HAL suggests reinstalling the device and letting it fail so the problem can be verified. Mission Control advises the astronauts that results from their backup 9000 computer indicate that HAL has made an error, but HAL blames it on human error. Concerned about HAL’s behaviour, Bowman and Poole enter an EVA pod so they can talk in private without HAL overhearing. They agree to disconnect HAL if he is proven wrong. HAL follows their conversation by lip reading.
While Poole is floating away from his pod to replace the antenna unit, HAL takes control of the pod and attacks him, sending Poole tumbling away from the ship with a severed air line. Bowman takes another pod to rescue Poole. While he is outside, HAL turns off the life support functions of the crewmen in suspended animation, killing them. When Bowman returns to the ship with Poole’s body, HAL refuses to let him back in, stating that their plan to deactivate him jeopardises the mission. Bowman releases Poole’s body and opens the ship’s emergency airlock with his remote manipulators. Lacking a helmet for his spacesuit, he positions his pod carefully so that when he jettisons the pod’s door, he is propelled by the escaping air across the vacuum into Discovery’s airlock. He enters HAL’s processor core and begins disconnecting most of HAL’s circuits, ignoring HAL’s pleas to stop. When he is finished, a prerecorded video by Heywood Floyd plays, revealing that the mission’s actual objective is to investigate the radio signal sent from the monolith to Jupiter.
At Jupiter, Bowman finds a third, much larger monolith orbiting the planet. He leaves Discovery in an EVA pod to investigate. He is pulled into a vortex of coloured light and observes bizarre astronomical phenomena and strange landscapes of unusual colours as he passes by. Finally, he finds himself in a large neoclassical bedroom where he sees, then becomes, older versions of himself: first standing in the bedroom, middle-aged and still in his spacesuit, then dressed in leisure attire and eating dinner, and finally as an old man lying in bed. A monolith appears at the foot of the bed, and as Bowman reaches for it, he is transformed into a foetus enclosed in a transparent orb of light, which afterwards floats in space above the Earth.
(A sequel, 2010: The Year We Make Contact, was released in 1984, based on the novel “2010: Odyssey Two”. Considerably better in many respects, directed by Peter Hyams with American production values and a stellar cast, including Roy Scheider, Hellen Mirren, and John Lithgow.)
Space: 1999 (1975)
Space: 1999 is a British SCI-FI TV programme that ran for two series from 1975 to 1977. The programme, set in the year 1999, follows the 311 inhabitants of Moonbase Alpha, which is hurtling uncontrollably into space due to an explosion of nuclear waste stored on the Moon’s far side.
Storyline
The premise of Space: 1999 centres on the plight of the inhabitants of Moonbase Alpha, a scientific research centre located within the crater Plato in the Moon’s northern hemisphere. Humanity had been storing its nuclear waste in vast disposal sites on the far side of the Moon, but when an unknown form of “magnetic radiation” is detected, the accumulated waste reaches critical mass and causes a massive thermonuclear explosion on 13 September 1999. The force of the blast propels the Moon like an enormous booster rocket, hurling it out of Earth orbit and into deep space at colossal speed, thus stranding the 311 personnel stationed on Alpha.
The runaway Moon, in effect, becomes the “spacecraft” on which the protagonists travel, searching for a new home. Not long after leaving Earth’s Solar System, the wandering Moon passes through a black hole and later through a couple of “space warps” which push it even further out into the universe.
During their interstellar journey, the Alphans encounter an array of Alien civilisations, dystopian societies, and mind-bending phenomena previously unseen by humanity. Several episodes of the first series hinted that the Moon’s journey was influenced (and perhaps initiated) by a “mysterious unknown force”, which was guiding the Alphans toward an ultimate destiny. The second series used simpler action-oriented plots.
Blade Runner (1982)
Blade Runner is a SCI-FI film directed by Ridley Scott, starring Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos, it is an adaptation of Philip K. Dick’s 1968 novel “Do Androids Dream of Electric Sheep?” The film is set in a dystopian future Los Angeles of 2019, in which synthetic humans known as replicants are bio-engineered by the powerful Tyrell Corporation to work on space colonies. When a fugitive group of advanced replicants led by Roy Batty (Hauer) escapes back to Earth, former cop Rick Deckard (Ford) reluctantly agrees to hunt them down.
Storyline
In 2019 Los Angeles, former police officer Rick Deckard is detained by Officer Gaff, who likes to make origami figures, and is brought to his former supervisor, Bryant. Deckard, whose job as a “blade runner” was to track down bioengineered humanoids known as replicants and terminally “retire” them, is informed that four replicants are on Earth illegally. Deckard begins to leave, but Bryant makes veiled threats and Deckard stays. The two watch a video of a blade runner named Holden administering the Voight-Kampff test, which is designed to distinguish replicants from humans based on their emotional responses to questions. The test subject, Leon, shoots Holden on the second question. Bryant wants Deckard to retire Leon and three other Nexus-6 replicants: Roy Batty, Zhora, and Pris.
Bryant has Deckard meet with the CEO of the company that creates the replicants, Eldon Tyrell, so he can administer the V-K test on a Nexus-6 to see if it works. Tyrell expresses his interest in seeing the test fail first and asks him to administer it on his assistant Rachael. After a much longer than standard test, Deckard concludes privately to Tyrell that Rachael is a replicant who believes she is human. Tyrell explains that she is an experiment who has been given false memories to provide an “emotional cushion”, and that she has no knowledge of her true nature.
In searching Leon’s hotel room, Deckard finds photos and a scale from the skin of an animal, which is later identified as a synthetic snake scale. Deckard returns to his apartment, where Rachael is waiting. She tries to prove her humanity by showing him a family photo, but Deckard reveals that her memories are implants from Tyrell’s niece, and she leaves in tears.
Replicants Roy and Leon meanwhile investigate a replicant eye-manufacturing laboratory and learn of J. F. Sebastian, a gifted genetic designer who works closely with Tyrell. Pris locates Sebastian and manipulates him to gain his trust.
A photograph from Leon’s apartment and the snake scale lead Deckard to a strip club, where Zhora works. After a confrontation and chase, Deckard kills Zhora. Bryant also orders him to retire Rachael, who has disappeared from the Tyrell Corporation. Deckard spots Rachael in a crowd, but he is ambushed by Leon, who knocks the gun out of Deckard’s hand and beats him. As Leon is about to kill Deckard, Rachael saves him by using Deckard’s gun to kill Leon. They return to Deckard’s apartment and, during a discussion, he promises not to track her down. As Rachael abruptly tries to leave, Deckard restrains her and forces her to kiss him, and she ultimately relents. Deckard leaves Rachael at his apartment and departs to search for the remaining replicants.
Roy arrives at Sebastian’s apartment and tells Pris that the other replicants are dead. Sebastian reveals that because of a genetic premature aging disorder, his life will be cut short, like the replicants that were built with a four-year lifespan. Roy uses Sebastian to gain entrance to Tyrell’s penthouse. He demands more life from his maker, which Tyrell says is impossible. Roy confesses that he has done “questionable things” but Tyrell dismisses this, praising Roy’s advanced design and accomplishments in his short life. Roy kisses Tyrell and then kills him by crushing his eyes and skull. Sebastian tries to flee and is later reported dead.
At Sebastian’s apartment, Deckard is ambushed by Pris, but he kills her as Roy returns. Roy’s body begins to fail as the end of his lifespan nears. He chases Deckard through the building and onto the roof. Deckard tries to jump onto another roof but is left hanging from the edge. Roy makes the jump with ease and, as Deckard’s grip loosens, Roy hoists him onto the roof to save him. Before Roy dies, he laments that his memories “will be lost in time, like tears in rain”. Gaff arrives to congratulate Deckard, also reminding him that Rachael will not live, but “then again, who does?” Deckard returns to his apartment to retrieve Rachael. While escorting her to the elevator, he notices a small origami unicorn on the floor. He recalls Gaff’s words and departs with Rachael.
Tomorrowland (2015)
Tomorrowland is an American SCI-FI film directed by Brad Bird with a screenplay by Bird and Damon Lindelof. The film is based on the themed land Tomorrowland from the Disney Parks and a story by Bird, Lindelof, and Jeff Jensen. It stars George Clooney, Hugh Laurie, Britt Robertson, Raffey Cassidy, Tim McGraw, Kathryn Hahn, and Keegan-Michael Key. In the film, a disillusioned genius inventor and a teenage science enthusiast embark to an intriguing alternate dimension known as “Tomorrowland”, where their actions directly affect their own world.
In drafting their story, Bird and Lindelof took inspiration from the progressive cultural movements of the Space Age, as well as Walt Disney’s optimistic philosophy of the future, notably his conceptual vision for the planned community known as EPCOT (Experimental Prototype Community of Tomorrow).
Storyline
Young boy Frank Walker attends the New York World’s Fair (1964) to sell his prototype jet pack, but is rejected because it does not work. He is approached by the young girl Athena (Cassidy), who hands him an orange lapel pin with a blue “T” embossed on it, telling him to follow her onto Walt Disney’s “It’s a Small World” attraction at the Fair’s Pepsi-Cola Pavilion. Frank obeys, sneaking onto the ride. There, the pin is scanned by a laser, and he is transported to Tomorrowland, a futuristic cityscape, where advanced robots fix his jetpack, allowing him to fly and join the secretive world.
In the present day, optimistic teenager Casey Newton (Robertson) repeatedly sabotages the planned demolition of a NASA launch site in Florida. Her father Eddie (McGraw), a NASA engineer, faces losing his job. Casey is eventually caught and arrested. At the police station, she finds a pin in her belongings. Touching it, the pin transports her to Tomorrowland. Her adventure is cut short when the pin’s battery runs out, leaving Casey stranded in a lake.
With help from her younger brother Nate, Casey finds a Houston memorabilia store related to the pin. The owners attack her when she is unable to divulge where she got the pin, insisting that Casey knows about a “little girl”. Athena bursts in and defeats the owners, actually Audio-Animatronics, who self-destruct, blowing apart the shop. After Casey and Athena steal a car, Athena reveals she is also an animatronic, purposed to find and recruit people who fit the ideals of Tomorrowland. She then drops Casey off outside an adult Frank’s house in Pittsfield, New York. The now reclusive, cynical Frank (Clooney) declines Casey’s request to take her to Tomorrowland, having been banished from it years ago. Inside his house, Casey finds a probability counter marking the end of the world. Frank warns her that the future is doomed, but she disagrees, thus lowering the counter’s probability.
Animatronic assassins arrive to kill Casey, but she and Frank escape, meeting Athena in the woods outside his house. Frank resents Athena for lying to him about her true nature, but reluctantly agrees to help them get to Tomorrowland. Using a teleportation device, the trio travel to the top of the Eiffel Tower. Frank explains that Gustave Eiffel, Jules Verne, Nikola Tesla, and Thomas Edison co-founded “Plus Ultra,” a secret society of futurists, creating Tomorrowland in another dimension, free to make scientific breakthroughs without obstruction. The trio use an antique rocket, called the Spectacle, hidden beneath the Eiffel Tower to travel to Tomorrowland.
There, they find Tomorrowland in a state of decay. David Nix (Laurie), Tomorrowland’s governor, greets them. They travel to a tachyon machine, invented by Frank, which accurately predicted the worldwide catastrophe. Casey refuses to accept the world will end, causing the future to temporarily alter. Frank attempts to convince Nix to listen, who refuses and intends to have the group leave Tomorrowland. Casey realizes the tachyon machine is telling humanity that the world will end, creating a self-fulfilling prophecy. They confront Nix, who admits he tried to prevent the future by projecting such images to humanity as a warning. Instead, they embraced the apocalypse, refusing to act to make a better future for their world.
Believing that humanity simply gave up, Nix has too and intends to allow the apocalypse to happen so he can rebuild the world to his liking. Casey, Frank, and Athena attempt to use a bomb to destroy the machine, leading to a fight with Nix. The bomb is accidentally thrown through a portal to an uninhabited island on Earth, the explosion pinning Nix’s leg. Athena sees a vision of the future where Frank is shot by Nix, and she jumps in the way of his attack, mortally wounding herself beyond repair. Making peace with Frank, Athena activates her self-destruct sequence, destroying the machine, which falls on Nix, killing him.
In the present, Casey and Frank lead Tomorrowland, recruit Eddie and Nate, and create a new group of recruitment animatronics like Athena, whom they were addressing at the beginning of the film. Given pins, the animatronic children set out to recruit new dreamers and thinkers for Tomorrowland.
“Lost Future” SCI-FI represents Dreams for a Better World that appear to be Lost — but may not be forever. It all depends on our willingness to keep them Alive. When a Dream comes true — often the Dreamer will speak of how they nurtured and protected their dream for years, to shield it from naysayers who labelled it as “impractical” or “impossible” or “foolish” and said it couldn’t be done.
DO NOT LISTEN TO THEM!
Instead … Hear the beat of your own heart … and march on.
***
(click image link to view YouTube video)
