AFRICAN AMERICAN SCI-FI often focuses on the history of race relations in Western society — including slavery, the African Diaspora, and the Civil Rights Movement.

OCTAVIA BUTLER, the first black woman to gain widespread acclaim as a speculative fiction writer, is known for works like her standalone 1979 Time-Travel novel Kindred — that explores what would happen to a ‘modern’ black woman who is thrust back into slavery.

An emerging genre author: AGNES GOMILLION, based in Atlanta, Georgia, whose 2019 Dystopian Sci-Fi novel The Record Keeper is set in the aftermath of World War III with the planet in ruins. The main character, training for the titular role, soon discovers the truth behind the racist and oppressive tactics keeping her people in bondage.

Amazing, compelling, and entertaining Black Characters have been part of the SCI-FI genre for decades. TV shows, movies and books can enable us envision a Future when Skin Color does NOT control Human Relationships. Examples include:

Lt. Uhura, (Star Trek), played by Nichelle Nichols. While her role was limited in most episodes, Nichelle Nichols was a fixture on the Star Trek bridge. Because of her casting, many more opportunities opened up for black actors.

Morpheus, (The Matrix), played by Lawrence Fishburne. The elusive Man of mystery, with all the answers to our questions about “the real world”.

Detective Del Spooner, (I, Robot), played by Will Smith. To solve the mysterious death of his mentor, Spooner must overcome prejudice geared towards the world of robots around him.

The POINT is Profound: After seeing Uhura on the bridge of a starship, or rooting for Will Smith to save the world against rogue androids … or zombies … or aliens, it becomes easier for fans of SCI-FI to relate to Black Characters, which in turn makes it easier to relate to Black PEOPLE.

AFRICAN AMERICAN SCI-FI and Afrofuturism go hand-in-hand. The term “afrofuturism” — originally coined by cultural critic Mark Derry in a 1993 essay entitled “Black to the Future”– refers to “the science fiction, fantasy and horror created by or featuring the children of the African diaspora (people of African origin living outside of the continent).” Its importance in part comes from its ability to connect people of African descent not only to their origins, but to each other. It has recently soared to commercial success with the release and critical acclaim of the movie Black Panther.

As Award-Winning Authors who write Sci-Fi for Young Adult readers, we believe that reading Science Fiction can EXPAND your horizons, and OPEN your mind to new ideas. A short, one minute video expressing this notion appears on Dailymotion:

Inspired by Hopi mythology, each volume of THE SURVIVAL TRILOGY explores Native Beliefs and Mythology pertaining to Alien Life — from a unique cultural point of view — book one: Native American, book two: Asian American, and book three: AFRICAN AMERICAN. All are connected … through Hopi prophecy.

Readers’ Favorite on May 9, 2019 described Book Three, BEYOND THE WORLD: “Connecting ancient cultures and wisdom to modern day ideas of aliens and other intelligent life provides a great hook for this inviting and exciting read … recommended for science fiction fans of all ages.”

AFRICAN AMERICAN SCI-FI shows that “Black Lives Matter”. It can help us realize: as Americans, our Need to come together on RACE matters more to our Future … than ever.

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Asian Americans have long played important roles in shaping SCI-FI as we know it — most notably as writers, designers and artists.

They create Worlds drawn from Cultural Experience. One example: Immigrants can feel connected to Alien stories in Classic SCI-FI : the Journey far from home … to a Place you do not belong.

In 2019 one writer, Walter Chaw, described the film ‘ALIEN NATION’ as “A Sci-Fi Flick Doubling As A Metaphor For The Asian-American Experience”.

But some also reject the idea that they’re “aliens” — and don’t want to be portrayed that way.

One Seattle artist, Stasia Burrington, has this to say: “As a mixed-race Asian American, I am used to and feel comfortable existing as ‘other.’ The universes to be found in science fiction are both exciting, and also feel like home.”

Asian-American writers, naturally influenced by the histories and mythologies of their ethnic background, also grow up reading the works of Isaac Asimov, Philip K. Dick, and Ursula K. LeGuin — with all the conventions of Western Science Fiction.

SCI-FI by Asian-Americans today includes inventive works from Authors like Marie Lu, Ted Chiang, and Malinda Po.

MARIE LU, born in Wuxi, China and immigrated to the United States as a child, is a successful young adult writer. Most of her novels take place in a dystopian future, such as her popular “Young Elites” series.

TED CHIANG is perhaps best known for “Story of Your Life,” an incredible piece of writing that fuses linguistics, physics, and first contact, but ultimately becomes an intimate portrait of love and loss. It was adapted into the acclaimed Oscar-nominated film “Arrival” — starring Amy Adams and Jeremy Renner.

MALINDA PO, a popular sci-fi and fantasy young adult writer, strives to bring diversity to YA literature. Most of her novels feature LGBT characters, like those in her science fiction based “Adaptation” series.

As Award-Winning Authors who write SCI-FI for Young Adult readers, we believe that the unique perspective of Asian-Americans can offer a PATH to Enlightenment. A short, one minute video expressing this idea appears on DailyMotion:

Inspired by Hopi mythology, each volume of THE SURVIVAL TRILOGY explores Native Beliefs and Mythology pertaining to Alien Life — from a unique cultural point of view — book one: Native American, book two: ASIAN AMERICAN, and book three: African American. All are connected … through Hopi prophecy.

Readers’ Favorite in 2017 described Book Two, THE DRAGON’S GLARE as “an intriguing science fiction journey into the study of alien sightings … looking at immigrants and their experiences … an addictive read with mystery and suspense, action and danger, and an exploration into the unknown. ”

ASIAN AMERICAN SCI-FI … With its Unique Point of View, can help us Appreciate the Place … We call HOME.

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Native American stories have long been underrepresented in genre fiction. In mainstream Science Fiction, a survey of the literature shows native peoples of North America too often trapped in the amber of yesteryear, confined to notions of noble savagery, braids and loincloths.

In recent years, however, a new wave of Authors has emerged — to CHANGE all that. There has been an explosion of novels, comics, graphic novels and short stories from writers blending SCI-FI and Fantasy with Native narratives.

Some see this wave as a natural extension of Native American narrative traditions, which often have SCI-FI elements, like tales about visitors from outer space and creation myths about humanity descending from the sky.

“Indigenous people have always been writing and telling science-fiction stories, but it hasn’t been labeled as such,” says Blaire Topash-Caldwell, a citizen of the Pokagon Band of Potawatomi Indians.

This WAVE includes writers like Cherie Dimaline, Rebecca Roanhorse, and Stephen Graham Jones.

Cherie Dimaline is a Canadian Ojibwe/Métis author known for — The Marrow Thieves — a dystopian science fiction novel. It depicts a world where people can no longer dream. Only the indigenous peoples of North America still have the ability to dream. They are hunted for their very marrow that can cure the dreamless.

Rebecca Roanhorse is an American science fiction and fantasy writer. Her debut novel — Trail of Lightning — follows a Native American woman living in Dinétah, the traditional homeland of the Navajo tribe. Isolated from the rest of the chaotic world, it is protected by a series of vast, magical walls that roughly encompass parts of New Mexico, Colorado, Utah, and Arizona. Ancient gods walk the earth and some individuals manifest special abilities known as clan powers.

Some authors say that SCI-FI and Fantasy settings allow them to reimagine the Native experience in ways that wouldn’t be possible in realistic fiction.

Stephen Graham Jones, author of — The Only Good Indians — is a member of the Blackfeet tribe who grew up in Texas. He often uses the framework of horror to examine inequality that Native Americans face. “The intent is to rebalance the world, and the world we live in is not like that.”

This WAVE is also impacting the Silver Screen. In 2015, Shondin Silversmith wrote about the new film “Legends from the Sky”, describing it as part of a new genre: NATIVE SCI-FI.

“This is one of the first Native American sci-fi UFO films in the world, if not the very first,” said director Travis Hamilton. “It’s a sci-fi Native thriller. This is a new genre for us. I’m curious to see how people respond to it.”

As Award-Winning Authors who write Sci-Fi for Young Adult readers, we also believe DIVERSITY in Science Fiction can be a key to fighting RACISM. A short, one minute video expressing this idea appears on VIMEO:

Inspired by Hopi mythology, each volume of THE SURVIVAL TRILOGY explores native beliefs and mythology pertaining to Alien Life — from a unique cultural point of view — book one: Native American, book two: Asian American, and book three: African American. All are connected … through Hopi prophecy.

Publishers Weekly on October 23, 2017 described Book One, A GLEAM OF LIGHT as “Native American mythology intersects with UFOlogy in this earthbound tale of first contact and extraterrestrial influence.” GLEAM was also a Finalist in the 2019 Readers’ Favorite International Book Awards.

DIVERSITY is here — with Native American stories to change SCI-FI forever. Why? Because the world to come is bigger, more complex, and more diverse than most of us can ever imagine. We will all need a new kind of Science Fiction — with a very different view of humanity’s future — to help us embrace it.

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The world as we know it, is CHANGING … right before our eyes — just like Sci-Fi writers have predicted for at least a century — but in ways many of us never anticipated.

Why? First of all, because it needs to happen–RIGHT NOW. Secondly, because the human race can never evolve or reach its potential without change. And thirdly, because if we do NOT meet this historic moment by embracing essential truths about race, humanity will not survive.

racism: a belief that race is the primary determinant of human traits and capacities
and that racial differences produce an inherent superiority of one race over another.

Let’s face it: Indigenous Peoples — including Native Americans, Asian Americans, African Americans and more — don’t show up very often in mainstream Science Fiction without being plagued by racial stereotypes. In a genre known for its creativity, Sci-Fi often lets its readers down.

Well … a new wave of Science Fiction writers are fighting to CHANGE all that.

After the 1960’s, there was an explosion of new literature created by Native American writers. It is often characterized by themes — like sacred landscapes, and the conflict of being torn between Two Worlds: one defined by Ancient Mythology, the other by Modern Society. A new genre within speculative fiction, Indigenous Futurism, seeks to challenge racist ways of thinking about our future. It draws on native knowledge, culture, stories, language and traditions — to reimagine our world.

This wave includes writers like Cherie Dimaline, Rebecca Roanhorse, and Nnedi Okorafor.

Cherie Dimaline is a Canadian Ojibwe/Métis author known for — The Marrow Thieves — a dystopian science fiction novel. It depicts a world where people can no longer dream. Only the indigenous peoples of North America still have the ability to dream. They are hunted for their very marrow that can cure the dreamless.

Rebecca Roanhorse is an American science fiction and fantasy writer. Her debut novel — Trail of Lightning — follows a Native American woman living in Dinétah, the traditional homeland of the Navajo tribe. Isolated from the rest of the chaotic world, it is protected by a series of vast, magical walls that roughly encompass parts of New Mexico, Colorado, Utah, and Arizona. Ancient gods walk the earth and some individuals manifest special abilities known as clan powers.

Nnedi Okorafor is a Nigerian-American writer of fantasy and science fiction best known for — The Binti Series — about a young Himba girl with the chance of a lifetime: to undertake an interstellar journey and attend the prestigious Oomza University. But when it is attacked, Binti ends up alone on a ship full of beings who murdered her crew. It will take all of her wits to survive the voyage.

Diversity has come at last to Science Fiction. It is the key to fighting racism. All of these writers have endured praise and criticism. Our world is CHANGING forever. As a species, to reach our potential, humanity must evolve. We must open our minds and our hearts to essential truths — now coming to us from Indigenous Voices.

Why? Because the world to come is bigger, more complex, and more diverse than most of us can ever imagine. We will all need a new kind of Science Fiction — with a very different view of humanity’s future — to help us embrace it.

It’s an essential truth about life: “You are what you dwell upon.”

As we face the challenges of growing up, we all need heroes that we can relate to. And they come to many of us from the world of Fiction — through books, movies and television.

Heroes are all about overcoming adversity. They are loved for being strong, smart, making the best of bad situations, sticking to what they believe in, and always doing the right thing — no matter what the cost.

Relatable heroes in fiction can mean even more — because they are human enough for us to see ourselves in them. They spark passion and idealism in children — including boys and girls of every color — then keep those fires burning in adults.

We need diversity in the stories that we share — and in our heroes.

Nora Ephron was an American journalist, writer, and filmmaker — nominated three times for the Academy Award for Best Writing: for Silkwood, When Harry Met Sally…, and Sleepless in Seattle. She gave this advice to young women:

“Above all, be the heroine of your life, not the victim.”

Ask any woman who grew up with fictional heroes like Nancy Drew, Hermione Granger and Katniss Everdeen, and they’ll speak of bravery, love, and courage as the basis of true strength. They remember a sense of empowerment, and say things like: “Her existence made me feel like maybe I could grow up to be the same.”

Researchers at Ohio State University found that people, while reading fiction, can find themselves feeling the emotions, thoughts and beliefs of a character — as if these are their own. In fact, it can lead to real-world change in one’s behavior. So, by immersing ourselves into the world of a fictional hero, we may actually find ourselves on the path to personal growth.

For readers of all ages, visionary fiction offers more than an escape: It provides a road map to set out on one’s own real life journey to a different, better place.

You are what you dwell upon. During challenging times — like these — what could be more inspirational, than that?

It’s a question often posed in classic Sci-Fi books and movies — to challenge us.

In the 1968 classic, Planet of the Apes, when the chimp ‘animal psychologist’ Zira fails to get the wounded astronaut Taylor to speak, Dr. Zaius says, “The sooner he is exterminated the better…it’s a question of simian survival!” Later, when he orders explosives to seal up a cave with evidence of man’s superiority, the young chimp Lucius cries, “Why must knowledge stand still? What about the future?” Zaius replies, “I may just have saved it for you.”

The fight for SURVIVAL is often characterized as “humanity versus anything nonhuman” — such as apes, or robots or aliens.

Most often the battle is won through military means or clever use of technology like a computer virus to outwit the enemy (Independence Day). Sometimes it is simply ‘dumb luck’, like when humanity is saved from Martian invaders by common microbes in War of the Worlds.

But what if our survival on Earth depends on something else altogether — like our ability to adapt to CHANGE in a way we never expected?

What if there was some inevitable force at work, transforming our world slowly over time … and survival required an expansion of consciousness — sometimes referred to as “enlightenment” — meaning a willingness to accept all living things without judgement?

There is — though you might not know it, because so many “gatekeepers” in our society have labored long and hard to “protect” us from one simple truth: beneath all the superficial differences that separate us, we are the same.

Students of history might say that humanity has been part of an “experiment”, ongoing from the moment of our inception. For centuries, wars have been fought between people of different ideology or skin color — when one group migrates to another’s land, and so are characterized as “invaders”; mistreated or driven away in the short term, then slowly, they merge together and are accepted.

Fans of science fiction who follow the work of abduction researchers like Budd Hopkins (“Intruders”) and David A. Jacobs (“The Threat” and “Walking Among Us”) have also come to realize that SURVIVAL is a very real part of the Alien Agenda to join with the human race through hybridization. They mean to settle here on Earth, living side by side with human beings.

It’s already happening.

Science fiction has a way of becoming science reality — because it often points to a future that few of us have ever imagined. Consider Star Trek — where human and alien races have been merging for decades. Every day, we seem to be getting closer to a world involving the mix of humanity with aliens in ways that transform our point of view.

Survival means transformation. We can’t fight them when they are part of us.